Check out this email....[Fwd: The next big thing for websites]

musicman datakid at gmail.com
Mon Aug 20 09:28:39 UTC 2007


I must admit, I was leaving the house when I saw the email, and
clicked on a whim, but later I thought "Why did I do that?" ....It had
spam written all over it - show's how lame I am in the mornings, at
least it was an safe-ish learning experience for me....

L.

On 8/20/07, NoOp <glgxg at sbcglobal.net> wrote:
> On 08/19/2007 06:43 PM, Wade Smart wrote:
> > 08192007 2041 GMT-6 DST
> >
> > It was a TEXT ONLY email so there was zero code. That is why I forwarded
> > it to the list for help. You can find you own freakin way to nanae.
> >
> > wade
> >
> >
> > NoOp wrote:
> >>
> >>
> >>
> >>> If this is able to do that, this is a MAJOR security problem.
> >>>
> >>
> >> It's a bigger security problem if you post attachements like this to
> >> this list.
> >>
> >> I suggest that you find your way over to nanae.
> >>
> >>
> >>
> >
>
> A text only email with:
>
> "Would someone click on the link in the email and see what happens for
> them?"
>
> And you managed to actually get several folks to click on the link(s)
> didn't you?
>
> The spam that you received has nothing to do with Ubuntu or this list.
> Again, I suggest that you try nanae instead of asking people here to
> assist you with spam by clicking links in a spam you received.
>
>
>
>
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-- 

I quite like The Strokes as a comedy group and I very much like the
Strokes when their music is mixed up in the bootleg sense with the
music of pole dancing pop fiasco Christine Aguilera - A Stroke of
Genius. A blasting together of one Strokes lick - Hard To Explain -
and one Aguilera song Genie in a Bottle, conjures up the reality
bending shock of the new that The Strokes lack - the stupid sublime
stitching together of heated machine pop dripping with money and
reheated New York punk scratched out of the fake history books,
creates a ravishing blur of signals, signatures, speeds and gaps in
time that please me in places I like to be pleased. A Stroke of Genius
sounds like new sound, and at the end of the 20th century and the
begining of the 21st century it was commercial pop that was sounding
more exciting than commercial rock. Paul Morley, Words and Music




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