Right, Cory. Compress is waaayyy overused.<br><br>Though I could justify just a little compression... :-)<br><br><div class="gmail_quote">On Wed, Feb 20, 2008 at 2:37 PM, Cory K. <<a href="mailto:coryisatm@nc.rr.com">coryisatm@nc.rr.com</a>> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div class="Ih2E3d">Dave Ricketzz wrote:<br>
> Compressors can be quite musical; they make a performance easier to<br>
hear in many cases. Without a compressor/limiter your RMS is quite low<br>
vs peaks and your SNR suffers. Part of the mastering process is to<br>
judiciously apply electronic magic here and there. Are you saying this<br>
person didn't equalize?<br>
<br>
</div>"judiciously" isn't whats happening in the industry unfortunately. The<br>
whole "brickwall" mastering thing has made me sick of modern pop music<br>
and leery of re-masters of old albums. I can turn up the volume myself.<br>
<br>
Theres no reason to kill dynamic range so song A sounds as loud as song B.<br>
<br>
I'm just a touch sensitive about compression. ;)<br>
<br>
-Cory<br>
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</div></div></blockquote></div><br><br clear="all"><br>-- <br>Christopher Stamper<br><a href="mailto:christopherstamper@gmail.com">christopherstamper@gmail.com</a><br><a href="http://tinyurl.com/2ooncg">http://tinyurl.com/2ooncg</a><br>
Skype: cdstamper